Khalid Lyamlahy, assistant professor in Romance Languages and Literatures, holds a PhD in French and Francophone studies from the University of Oxford (St Anne’s College). Julia Phillips is the Deputy Director of Methodology for RISC at Argonne National Laboratory. Division of the Humanities | The University of Chicago The work-family support roles of child care providers across settings. 915 E 60th St. Her recent paper in the Journal of Linguistic Anthropology, “Ideophone Humor: The Enregisterment of a Stereotype and Its Inversion” (2020), discusses how Naso women mock the stereotype of the Naso rube character for social and political commentary. His work focuses on North African Francophone literature in relation to political, social, and cultural debates in the region and beyond. 773.702.2787, CalendarTicketsGrantsE-news Sign-upMake a GiftContactApply, Arts + Public LifeArts, Science & Culture InitiativeGray Center for Arts and InquiryHack Arts Lab (HAL)Logan Center for the ArtsPublic Art on Campus, ContempoCourt TheatreThe Renaissance SocietyRockefeller Memorial ChapelSmart Museum of ArtUniversity of Chicago Presents, Cinema and Media StudiesCommittee on Creative WritingCommittee on Theater and Performance StudiesDepartment of Art HistoryDepartment of MusicDepartment of Visual ArtsMaster of Arts Program in the HumanitiesProgram in Poetry and PoeticsGrants & Funding Opportunities, Arts PassChicago ReviewDepartment of Music Performance ProgramsInternational HouseStudent Arts Groups (CLI)Student Community Groups (UCSC)TAPS Student Performing GroupsUChicago Careers in Journalism, Arts, and Media (UCIJAM), Chicago Center for Contemporary CompositionCourt Theatre's Center for Classic TheatreDOVA-OPCFilm Studies CenterFranke Institute for the HumanitiesNeubauer Collegium for Culture and SocietyThe Oriental InstitutePlace LabSTAGE (Scientists, Technologists, and Artists Generating Exploration)The Writer's Studio (Graham School)The University of Chicago Library, Take Care with Art After Dark: Making a Scroll, Sound Samplers: Sound Fantastic – Workshop 1 Part 1, Committee on Theater and Performance Studies, UChicago Careers in Journalism, Arts, and Media (UCIJAM), Chicago Center for Contemporary Composition, Court Theatre's Center for Classic Theatre, Neubauer Collegium for Culture and Society, STAGE (Scientists, Technologists, and Artists Generating Exploration). She was also the principal investigator for, and editor of, the Naso Cultural Encyclopedia, a multivolume study undertaken as a collaboration between scholars and the Naso people. Reva and David Logan Center for the Arts 915 East 60th Street, Suite 236, Chicago, IL 60637 She studied Visual Arts at the Academy of Fine Arts Hamburg before attending Columbia's MFA Program. Her scholarship appears in American Quarterly, Indo-Caribbean Feminist Thought, and Small Axe. Personal homepage . Covering a wide range of disciplines and intellectual interests reflecting the interdisciplinary nature of our program, the faculty at the University of Chicago are internationally celebrated artists working at one of the premier research universities in the United States. For his next research project, Zyman will be developing a novel definition of the fundamental syntactic operation Merge (which takes two words or phrases and combines them to form a larger phrase)—one that preserves the theoretical and empirical successes of previous definitions of Merge while overcoming some of their drawbacks. Thomas Lamarre, AM’87, PhD’92, professor of Cinema and Media Studies and East Asian Languages and Civilizations, earned his UChicago degrees in East Asian Languages and Civilizations after receiving a doctorate in oceanology from Université d’Aix Marseille II. Solo Exhibitions 2020: 'New Album' at Matthew Marks Gallery, NYC 2019: 'Fake Truth' at Kunstverein Braunschweig, Germany She received her MFA from Columbia University and completed the Whitney Museum of American Art’s independent study program for studio art. She asks, “How are African Americans using linguistic resources to construct multidimensional identities, and how do linguistic styles come to be racialized as Black?” In exploring racialized language, her research also aims to address the social and political consequences of this racialization in the courtroom and beyond. The Division of the Humanities welcomes ten new faculty members, including nine former Provost’s Postdoctoral Fellows. Alan E. Steinweis and Robert D. Rachlin, eds., The Law in Nazi Germany: Ideology, Opportunism, and the Perversion of Justice; Kim C. Priemel and Alexa Stiller, Reassessing the Nuremberg Military Tribunals: Transitional Justice, Trial Narratives, and Historiography Post’s current book project, “Deadpan,” examines performances of inexpression and affective withholding in Black arts and culture, arguing that purposeful withholding is an underappreciated critical tool in Black cultural production. Please contact Bonnie Kanter, Student Affairs Administrator at the Center for the Study of Gender and Sexuality (773-702-2365; bonniek@uchicago.edu) for specific … Jessica Stockholder Sharese King, Neubauer Family Assistant Professor in Linguistics, is a sociolinguist investigating language variation and change. View the profiles of people named Julia Phillips. Her dissertation focused on verbal art among the Naso (Teribe) people, an Indigenous people of Panamá and Costa Rica. Cai Guo Qiang 142. She is examining how Indigenous people resist depictions of themselves and practice self-determination using verbal art. Her latest publication is “Crossing the Saharan Boundary: Lotus and the Legibility of Africanness” (Research in African Literatures, Fall 2019). Julia Phillips's debut novel, Disappearing Earth, is on sale now. 155. Her current research focuses on verbal art (linguistic forms that are interpreted as salient, e.g., ideophones, puns, poetic couplets) through humanistic, grammatical, and social perspectives. Julia Phillips, assistant professor in Visual Arts, primarily works with ceramics and metal, creating pieces reminiscent of functional objects. She has been featured on outlets including The Vocal Fries podcast and Outside the Lines with Rap Genius, discussing topics such as linguistic discrimination, rappers’ linguistic styles, and the history of the word lit. Julia Phillips made history in Hollywood by becoming the first woman to win the Best Picture Oscar for producing the classic The Sting (1973), along with husband and producing partner Michael Phillips and Tony Bill. Julia Phillips . Through the late nineteenth and early twentieth centuries, Parsard traces informal relations of wage earning and the concomitant development of a literary and visual repertoire of figures by which West Indians and Britons registered and thought about these relations. UChicago's Division of the Humanities welcomes six new faculty members and nine new Provost's Postdoctoral Fellows this fall. She looks to indentured women who stored their wages in gold and silver bangles and to kept women who exchanged sex and companionship for resources. Assistant Director. Julia Phillips Provost’s Postgraduate Fellow, Visual Arts. 75 Reunion June 2,3,4 1995. Campbell, Elizabeth, Julia R. Henly, Delbert S. Elliott, and Katherine Irwin. Associate Provost and Executive Director of UChicago Arts and the Reva and David Logan Center for the Arts. Alberto Aguilar 152. “Mediator” by Julia Phillips. She holds a PhD in American studies and African American studies, with a certificate in women’s, gender, and sexuality studies, from Yale University. She is also interested in the multilingual expressions and experiences of Latinx and queer identities. Skip to main content Linda Goluch Phillips, AB'74, MD'78, is chief of the division of plastic and reconstructive surgery at the University of Texas Medical Branch at Galveston. Tina Post is an assistant professor in English Language and Literature, a faculty member of the Committee on Theater and Performance Studies, and an affiliate of the Center for the Study of Race, Politics, and Culture. She also holds an MFA in creative writing and literary arts from the University of Alaska Anchorage and a BA in English literature from Wells College. He elucidates the rules and principles governing how words (and smaller linguistic units) can and cannot be combined to form larger syntactic units, how these rules and principles do and do not vary across languages, and what their cognitive (and other) underpinnings are. Tony Cokes 153. Mark Salber Privacy Notice. Modern history teaches otherwise. She is a regular contributor to the Funambulist magazine. Ryan A. Davis, The Spanish Flu: Narrative and Cultural Identity in Spain, 1918 Mark Honigsbaum, A History of the Great Influenza Pandemics: Death, Panic, and Hysteria, 1830–1920 Besides his academic work, Lyamlahy has published a novel, Un Roman Étranger  (Présence Africaine, 2017), and is a regular contributor to literary magazines in France and the United States. Department of Visual Arts Division of the Humanities. 2009. His current research explores questions of identity and alterity in post-2011 fiction from Morocco, Algeria, and Tunisia. She also recently coauthored a piece with UChicago deputy dean and psychology professor Katherine D. Kinzler in the Los Angeles Times. Her sculptures often incorporate body casts alongside mechanical accoutrements, interrogating physical relations as metaphors for social dynamics. A visiting artist lecture with Julia Phillips as part of DoVA's Open Practice Committee. Julia Phillips and Mariana Castillo-Deball (Visual Arts) listed among top artists "helping to define, question, and evolve" the future of sculpture. Johnson’s current project is provisionally titled “Forms of Escape: Eighteenth-Century Narratives of Maroons and Marronage.” She has published a translation of “Bras Coupé,” a Francophone short story from Louisiana; a chapter on translation in Caribbean Literature in Transition, volume 1, 1800–1920 (Cambridge University Press, forthcoming); and recent articles in the interdisciplinary journals Portable Gray and Call + Response. Description. Julia Phillips was born and raised in Hamburg and is the citizen of Germany and the United States. "Without Exception: On the Ordinariness of Violence" Los Angeles Review of Books Lauren Berlant (English Language and Literature) discusses the pervasive nature of violence. Mariana Castillo Deball, Daniel Ricardo Quiles & Yesomi Umolu 149. Her creative writing is similarly preoccupied with the effects of formal/performative decisions in communicating—or in failing to communicate—one’s position, identity, or view. 2009. Geof Oppenheimer Associate Professor of Practice in the Arts, Department of Visual Arts & the College. She also holds an MFA in creative writing and literary arts from the University of Alaska Anchorage and a BA in English literature from Wells College. She was awarded the National Science Foundation’s Graduate Research Fellowship and obtained her MA and PhD in linguistics from Stanford University. Sophia Azeb, assistant professor in English Language and Literature, works at the intersection of Black studies, American studies, and Middle East studies. Julia Phillips Assistant Professor, Department of Visual Arts juliaphillips@uchicago.edu. Join our Mailing List. Julia Phillips was born and raised in Hamburg, Germany. She joined UChicago in 2018 as a Provost’s Postdoctoral Fellow after completing a joint PhD in African American studies and American studies at Yale University. A visiting artist lecture with Julia Phillips as part of DoVA's Open Practice Committee. Her current book project, “Another Country: Constellations of Blackness in Afro-Arab Cultural Expression,”examines transnational and translational Black literature, narrative, festival, and music to reveal how varying conceptions of Blackness and Black racial, cultural, and political identity are imagined, articulated, and mobilized from their origins in the often tense encounters between Black writers, musicians, activists, and intellectuals from the Americas, Africa, and Europe, and Arabic- or French-speaking North Africans in Egypt, Algeria, and France. She examines how these events shape Caribbean literary and visual works, with an emphasis on how gender and sexuality structure race, labor, and capital. Bharti Kher 145. Read Bio Skip to internal navigation, Department of Visual Arts (DOVA) 1115 East 58th Street | Chicago, IL 60637 Early Childhood Research Quarterly 24(3): 271-88. Johnson holds a PhD in English from the University of California, Berkeley. Julia Phillips (Visual Arts) explores fragmentation and perspective through sound in new solo exhibition,“Fake Truth.” "Martha Nussbaum Respects The Cynic … Julia Phillips, Producer: The Sting. Most recently, Parsard contributed an essay to the Small Axe exhibition catalog, The Visual Life of Social Affliction, about which she spoke at its opening at Art Basel Miami Beach in 2019. Julie Phillips is a Nurse Practitioner Specialist in Chicago, Illinois. Daniel Morgan 773.702.3317 drmorgan@uchicago.edu. His major publications include Uncovering Heian Japan: An Archaeology of Sensation and Inscription (Duke University Press, 2000), a study of the formation of media networks that connected the Heian court of Japan (AD 794–1183) to other quasi-dynastic political communities across Korea and China, and Shadows on the Screen: Tanizaki Jun’ichirō on Cinema and “Oriental” Aesthetics (University of Michigan Center for Japanese Studies, 2005), which explores the relation between the emergence of global cinema and the “racial solution” of imperial nationalism. Emilia Justyna Powell, Steven Christian McDowell, Robert O’Brien, Julia Oksasoglu Islam-based legal language and state governance: democracy, strength of the judiciary and human rights, Constitutional Political Economy 54 (Jan 2020). Leslie Hewitt 151. Julia Phillips 144. Laura Steward Curator, Campus and Public Art. She graduated with honors in 2010. King’s research examines the relationship between race, place, and language, studying cross-regional variation in African Americans’ identity and speech. Pope.L & Dieter Roelstraete 143. His research focuses on building bridges between what are today loosely called “old materialisms”and the “new materialisms.” Old materialisms—associated with engineering, feasibility studies, communications and technology studies, and Marxism—entailed empirical studies of infrastructures, communication networks, and technologies. In addition to a semester at Universidad Complutense de Madrid, she has attended international residency programs, such as Vila Sul in Salvador, Brazil. Amanda Ross-Ho 146. These exceptional scholars bring fresh perspectives and excellent scholarship to the University. Julia Gibbs 773.702.1118 jgibbs@uchicago.edu. Before coming to UChicago, Parsard was the Mellon Postdoctoral Fellow in Critical Race Studies at Northwestern University’s Kaplan Institute for the Humanities. She researches how resistance practices and flight from enslavement by Black and Native individuals in the Caribbean and North America shaped textual and visual production in the colonial period. He is currently developing a new argument that failing to obey a grammatical requirement imposed by a particular word—which would normally result in an ungrammatical sentence—can actually yield a well-formed output if a larger phrase containing that word subsequently undergoes a syntactically triggered process of ellipsis (deletion). Sarah Johnson, assistant professor in English Language and Literature, studies seventeenth-through nineteenth-century archives of slavery and marronage in the United States and Caribbean. Journal of Urban Affairs 31(4): 461-90. Bermúdez received her PhD and MA in linguistics from the University of Texas at Austin. 773-753-4821 Glazed ceramics, metal structure, granite tiles, slip cast ceramic microphone mesh, Crossing the Saharan Boundary: Lotus and the Legibility of Africanness, Uncovering Heian Japan: An Archaeology of Sensation and Inscription, Tanizaki Jun’ichirō on Cinema and “Oriental” Aesthetics, The Anime Machine: A Media Theory of Animation. Julia Phillips is the debut author of the nationally bestselling novel Disappearing Earth, which is being published in twenty-three languages and was a finalist for the National Book Award. Zyman earned his PhD in linguistics at the University of California, Santa Cruz; his undergraduate degree, also in linguistics, is from Princeton University. Her book examines the reverse of this fantasy. Her most recent exhibitions were a group show at The Kitchen, 'Dreamers Awake' at White Cube, and the A.I.R. She also collaborated on the project Room with artist Marisa Williamson at Cleveland’s SPACES gallery (May–July 2019). In contrast, new materialisms mobilize ontological approaches that stress the experience and use of media. Her work has been published in the field’s flagship journal Language, as well as, most recently, in the Annual Review of Linguistics. dova@uchicago.edu. She has researched African Americans’ speech in Bakersfield, California, and Rochester, New York, and she plans to expand this work to Chicago through the Chicagoland Language Project. Azeb’s theorization of these cultural and political histories aims to develop an expansive genealogy of North Africa’s contentious mode of belonging to the African diaspora. show ‘We Go As They’ at the Studio Museum in Harlem, which now holds her work in its permanent collection. Julia has considerable experience in the application of operations research methods in a number of different disciplines to include decision analysis, modelling and simulation and statistical analysis. Miye Nadya Tom, Julia Suárez-Krabbe, and Trinidad Caballero Castro Pedagogy of Absence, Conflict, and Emergence: Contributions to the Decolonization of Education from the Native American, Afro-Portuguese, and Romani Experiences, Comparative Education Review 61, no.S1 S1 (Mar 2017): S121-S145. Senam Okudzeto 148. He is now working on a new book project on Moroccan poet Mohammed Khaïr-Eddine. dova@uchicago.edu. Born 1985 in Hamburg, lives and works in Chicago and Berlin. Michael Jones, Julia Barrow, David Crook, and Trevor Foulds, eds., The White Book (“Liber Albus”) of Southwell, with contributions from Neil Bettridge, Jean Cameron, Paul Cavill, and Teresa Webber Lamarre studies the history of media, an interdisciplinary and multidisciplinary pursuit overlapping with art history, communications, the history of science and technology, and the study of culture. Join Facebook to connect with Julia Phillips and others you may know. Bromer, Juliet, and Julia R. Henly. tableau@uchicago.edu She co-produced with her husband, Michael (and others), three prominent films of the 1970s — The Sting, Taxi Driver, and Close Encounters of the Third Kind — and was the first female producer to win an Academy Award for Best Picture, for The Sting. She received a BA from Harvard in history and literature with a minor in French language and literature and also studied at SciencesPo and UniversitéParis 8. She studied Visual Arts at the Academy of Fine Arts Hamburg before attending Columbia's MFA Program. Stephen M. Baum, AB'75, works on high-end electronic publishing systems at Interleaf. … Azeb’s writing on sport and politics, and African, African diasporic, and Afro-Arab arts, politics, and cultures, has appeared in the Chimurenga Chronic and on the media blog Africa Is a Country. Director. Her exhibitions include Fake Truth at Kunstverein Braunschweig, Germany (2019); the group exhibition Performing Society: The Violence of Gender at Tai Kwun, Hong Kong; Feminist Histories: Artists after 2000 at Museu de Arte de São Paulo, Brazil; Duro Olowu: Seeing Chicago at the Museum of Contemporary Art Chicago (2020); and Failure Detection at MoMA PS1 (2018). “Fashion, Microcosm, and Romantic Historical Distance,” in Rethinking Historical Distance: Varieties of Historical Engagement, ed. Parsard’s book project, “An Illicit Wage: Economies of Sex and the Family after West Indian Emancipation,” explores informal economies in the century after British West Indian emancipation and the start of West Indian indenture. Lyamlahy’s research interests include contemporary fiction and poetry in French, literary theory, and translation. She teaches transnational literary histories of slave and maroon narratives, courses on archival theory and method, as well as the constructions of gender, race, and forms of bondage before 1850, and courses on archival theory and method. Helen Molesworth 150. The University of Chicago ... 5733 S. University Ave. Chicago, IL 60637 (p) 773-702-8063 (e) csrpc@uchicago.edu. Azeb identifies, explores, and reimagines the mutual mistranslations that emerged within these social, cultural, and political moments of relation through the framework of the “Afro-Arab”: a racial identity, diasporic community, transnational space, and political project articulated through the overlapping cultural practices made possible through the encounters of Black and Arab peoples, cultures, and languages. Erik Zyman, assistant professor in Linguistics, is a theoretical syntactician. We tend to think of citizenship as something that is either offered or denied by a state. Instructor(s): J. Phillips Terms Offered: Autumn Prerequisite(s): ARTV 10100, 10200 or 10300 Note(s): Please email Julia Phillips juliaphillips@uchicago.edu with a brief description of how your work relates to a diasporic experience and/or your personal investment in the subject (150-300 words). Natalia Bermúdez, assistant professor in Linguistics, has worked extensively to describe and document Indigenous languages in Latin America, primarily Chibchan languages, especially Naso (Panamá). Julia Christensen 154. Zyman’s work has been published in Natural Language and Linguistic Theory, in Glossa, and elsewhere. Her next upcoming shows are the New Museum Triennial and her first institutional solo exhibition, at MoMA PS1 titled ‘Failure Detection’. In addition to video and works on paper, Phillips works primarily with ceramics and metal, creating sculptures reminiscent of functional objects that relate to the human body. Prior to attending Stanford, she received her BA from the University of Rochester, where she majored in linguistics and minored in American Sign Language. More recently, he has published two books on anime: The Anime Machine: A Media Theory of Animation (University of Minnesota Press, 2009), which shows how technologies of anime production spurred the formation of distinctive lineages of technological thought in Japan of the 1980s and ’90s, and The Anime Ecology: A Genealogy of Television, Animation, and Game Media (University of Minnesota Press, 2018), which builds across domains of inquiry that have been held apart—infrastructures and platforms, social practices, psychological complexes—to offer a new set of conceptual terms for the study of new media and social media. Chicago, IL 60637 Lyamlahy wrote the preface to Abdellatif Laâbi’s complete poetic work and recently coedited a collective volume on Moroccan thinker and writer Abdelkebir Khatibi (Liverpool University Press, 2020). Her scholarship draws from literature, visual culture, fine art, theater, and movement. Julia Phillips (April 7, 1944 – January 1, 2002) was an American film producer and author. Her work on marronage includes Anglophone and Francophone texts concerning resistance and revolution, archives of slavery, transatlantic flight and fugitivity, and translation. A Fulbright fellow, Julia has written for The New York Times, The Atlantic, and The Paris Review.She lives in Brooklyn. In addition to monographs focused on specific sociohistorical contexts, he has sustained a strong profile in media theory and philosophy, publishing substantial theoretical essays and introducing the work of important philosophers and media theorists, both French and Japanese. She is particularly interested in nonfiction writers’ experimentation with nontraditional essay structure. He was previously a professor at McGill University. She relocated to New York in 2013 for graduate school, and has been based there since, while attending several international residency programs, and joining faculty at DoVA in the fall of 2018. After graduating in 2015, she attended the Whitney Program, followed by a residency at Skowhegan, a year-long residency at The Studio Museum in Harlem, and two short residencies at Denniston Hill, upstate New York, and at the Goethe Institut in Salvador, Brazil. Drawing from canonical literary and narrative writings and adjacent forms of cultural expression by figures including Claude McKay, James Baldwin, Frantz Fanon, and Ali Hassan Kuban, “Another Country” traces the North African presence in Black transnational political and cultural work informed by Non-Alignment, pan-Africanism, pan-Arabism, and Third Worldism. Julia Phillips , Assistant Professor, Department of Visual Arts . Manager, Film and Technical Operations Drawing on the work of theorists such as Luce Irigaray, Julia Kristeva, and Judith Butler, we will explore what strategies these writers employ to depict an entity understood to be unrepresentable. Julia Phillips was born and raised in Hamburg, Germany. Having more than 10 years of diverse experiences, especially in NURSE PRACTITIONER, Julie Phillips affiliates with Swedish Covenant Hospital, cooperates with many other doctors and specialists in medical group Swedish Covenant Management Services Inc. Julia Stasch is the immediate past president of the John D. and Catherine T. MacArthur Foundation, one of the nation’s largest philanthropies. Sub­jective constructions of neighborhood boundaries. She received her PhD in American Studies and Ethnicity from the University of Southern California and was previously a Provost’s Postdoctoral Fellow at New York University. 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