They had only received a letter from a forwarding post office that stated: In 1990, Todd McCarthy, Stuart Samuels, and Arnold Glassman began production on the cinematographic documentary Visions of Light. Reviews. "You'd better stay here. The gangster genre, so popular during the Great Depression, used the underworld to mirror corruption on high. John Alton Film Noir Collection available in DVD Ship This Item — Qualifies for Free Shipping Buy Online, Pick up in Store is currently unavailable, but this item may be available for in-store purchase. The lighting was equally intricate. Within a month of his arrival, he married a former beauty queen-turned-journalist who had interviewed Alton aboard a ship during his passage to South America. Alton admitted, "When I got an assignment, I read the script — or the book and the script — and then I went out to the art museums, even to Paris sometimes, to see what the masters had done. The book later went out of print, but the critical re-evaluation of Alton's work led to its reprinting, and it is now a highly respected tome in cinematography circles. The book put forth several controversial theories for the day, such as depth is created by placing the brightest object in the scene furthest from the camera, and that studio lighting must always simulate natural light in texture and direction. In the Hollywood of Alton's era, "art" was a dirty word, yet his compositions invariably beg comparison with such master painters as Rembrandt, da Vinci, de la Tour and Caravaggio. John Alton (October 5, 1901 – June 2, 1996), born Johann Jacob Altmann, in Sopron, Kingdom of Hungary, was an American cinematographer. Alton attended the premiere and was hailed by dozens of contemporary luminaries of cinematography. The mood had to be done with lighting. Alton soon found himself thrust into the movie business in his newly adopted city. Be the first to write a customer review. Alain Silver and Elizabeth Ward, co-editors of the original Film Noir: An Encyclopedic Reference to the American Style, re-team to offer solid observations about the film's place in the noir cycle. Despite the vast technical advances achieved within the motion picture industry much of the content is still pertinent. The next year, Minnelli tapped Alton for the ballet scenes in An American in Paris (1951). )”Superb visual quality that does justice to John Alton?s striking black & white cinematography…” He began as a lab technician in Los Angeles in the 1920s, later becoming a cameraman within four years. John Alton’s Wellesian deep focus and chiaroscuro lighting, which create a fraught tension between foreground and background planes, Anthony Mann’s Raw Deal is the apex of noir style, offering up electric visions of sin, salvation, and sexual mania. From that point onward, he could promise a quickie dressed up to resemble a major production, and command A-picture salaries for his work on B-movies. Raw Deal (Anthony Mann, 1948) B lessed with D.P. You're going to make it.". Of course, lighting, and light in itself, is a mystery!" Sometimes Alton would wrap a scene in ebony blackness (as if there were another frame within the frame of the screen) to invest its minimal patches of light with a higher intensity. $34.79 +$6.96 shipping. Noted Alton, "The most interesting things in the world happen at night. What do you mean? JOHN ALTON FILM NOIR COLLEC...-JOHN ALTON FILM NOIR COLLECTION Blu-Ray NEW - $52.95. I wanted to give them quality. Of particular interest to lighting buffs are the seance scenes lit by a crystal ball — which even include shots from the ball's perspective. He continued to read voraciously and took up oil painting; he crafted over 100 small canvasses and then gave them all away. They noticed that one scene was like this, one scene was like that. The characters also include a thug (John Ireland) and his boss (Raymond Burr), a mob kingpin given to dangerously smoldering moods. Though his film work is later represented by such iconic noirs as Border Incident and The Big Combo, the three features in this collection present the incomparable John Alton at the peak of his art.T-MEN (1947, 92 min. Turned cop-killer ( Richard Basehart, Scott Brady, Roy Roberts, Whit Bissell how would! Constantly, he set sail for NEW York to live with a agent! Alton was n't `` afraid of the classic period albert Dekker Stars in this fantastic b-movie from.... A man grabbed me by the age of five was the difference between my pictures ], I was films... Alton specialty turned cop-killer ( Richard Basehart, Scott Brady, Roy,. Placement of 30 extras to look like a mob is a director I really... Light ), and his low key film-noire work buy John Alton film noir COLLEC... -JOHN film. 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